duminică, 18 septembrie 2011

Ulysses, James Joyce III

"Bloom's acts?

He deposited the articles of clothing on a chair, removed his remaining articles of clothing, took from beneath the bolster at the head of the bed a folded long white nightshirt, inserted his head and arms into the proper apertures of the nightshirt, removed a pillow from the head to the foot of the bed, prepared the bedlinen accordingly and entered the bed.

How?

With circumspection, as invariably when entering an abode (his own or not his own): with solicitude, the snakespiral springs of the mattress being old, the brass quoits and pendent viper radii loose and tremulous under stress and strain: prudently, as entering a lair or ambush of lust or adders: lightly, the less to disturb: reverently, the bed of conception and of birth, of consummation of marriage and of breach of marriage, of sleep and of death.

What did his limbs, when gradually extended, encounter?

New clean bedlinen, additional odours, the presence of a human form, female, hers, the imprint of a human form, male, not his, some crumbs, some flakes of potted meat, recooked, which he removed.

If he had smiled why would he have smiled?

To reflect that each one who enters imagines himself to be the first to enter whereas he is always the last term of a preceding series even if the first term of a succeeding one, each imagining himself to be first, last, only and alone whereas he is neither first nor last nor only nor alone in a series originating in and repeated to infinity."

Ulysses, James Joyce II

"Why would a recurrent frustration the more depress him?

Because at the critical turning point of human existence he desired to amend many social conditions, the product of inequality and avarice and international animosity. He believed then that human life was infinitely perfectible, eliminating these conditions?

There remained the generic conditions imposed by natural, as distinct from human law, as integral parts of the human whole: the necessity of destruction to procure alimentary sustenance: the painful character of the ultimate functions of separate existence, the agonies of birth and death: the monotonous menstruation of simian and (particularly) human females extending from the age of puberty to the menopause: inevitable accidents at sea, in mines and factories: certain very painful maladies and their resultant surgical operations, innate lunacy and congenital criminality, decimating epidemics: catastrophic cataclysms which make terror the basis of human mentality: seismic upheavals the epicentres of which are located in densely populated regions: the fact of vital growth, through convulsions of metamorphosis, from infancy through maturity to decay."

"What special affinities appeared to him to exist between the moon and woman?

Her antiquity in preceding and surviving successive tellurian generations: her nocturnal predominance: her satellitic dependence: her luminary reflection: her constancy under all her phases, rising and setting by her appointed times, waxing and waning: the forced invariability of her aspect: her indeterminate response to inaffirmative interrogation: her potency over effluent and refluent waters: her power to enamour, to mortify, to invest with beauty, to render insane, to incite to and aid delinquency: the tranquil inscrutability of her visage: the terribility of her isolated dominant implacable resplendent propinquity: her omens of tempest and of calm: the stimulation of her light, her motion and her presence: the admonition of her craters, her arid seas, her silence: her splendour, when visible: her attraction, when invisible."

Ulysses, James Joyce I

" I'm the queerest young fellow that ever you heard.
My mother's a jew, my father's a bird.
With Joseph the joiner I cannot agree.
So here's to disciples and Calvary.

If anyone thinks that I amn't divine
He'll get no free drinks when I'm making the wine
But have to drink water and wish it were plain
That I make when the wine becomes water again."

"Prevention of cruelty to animals.

BLOOM: (Enthusiastically) A noble work! I scolded that tramdriver on Harold's cross bridge for illusing the poor horse with his harness scab. Bad French I got for my pains. Of course it was frosty and the last tram. All tales of circus life are highly demoralising."

"THE NYMPH: I do. You bore me away, framed me in oak and tinsel, set me above your marriage couch. Unseen, one summer eve, you kissed me in four places. And with loving pencil you shaded my eyes, my bosom and my shame. "

"STEPHEN: (Laughs emptily) My centre of gravity is displaced. I have forgotten the trick. Let us sit down somewhere and discuss. Struggle for life is the law of existence but modern philirenists, notably the tsar and the king of England, have invented arbitration. (He taps his brow) But in here it is I must kill the priest and the king. "